rionaleonhart: final fantasy viii: found a draw point! no one can draw... (you're a terrible artist)
(No Linkin Park in this entry (well, apart from this line), but I might stick with Linkin Park lyrics in my entry titles for a while, as a small tribute.)


Last night I dreamt that Connor and Michaela from How to Get Away with Murder had sex, because Michaela was complaining that her boyfriend couldn't get her off and, well, Connor is gay, but he does like a challenge.

I'm now really sad that I can't write this on three different levels (I can't write sex, I can't write the characters and it would get me into terrible trouble with the fandom), because I desperately want it to exist. I could actually see it happening; they get along very well, they've been through such intense things together that they're well beyond 'can't make weird propositions in case it damages our friendship', and I really wouldn't put it past Connor to suggest it.

I probably shouldn't rewatch How to Get Away with Murder for the sole purpose of writing something that's going to make a lot of people very angry with me.


Here are the stupidest events from this weekend:

- My mum could barely get out of bed on Saturday. Apparently she'd had trouble sleeping the night before, so she'd taken two Natrasleep tablets - but, whoops, turned out that actually she'd accidentally taken some epilepsy medication that was lying around instead. Nobody in the family has epilepsy. I don't understand how this happened. (She is fine.)

- We drove out to my aunt and uncle's house to celebrate their fiftieth wedding anniversary. At one point, my uncle called for silence and began making a speech about their marriage to the sixty or seventy assembled guests. He had failed to notice that my aunt was not present at the time. She showed up halfway through his speech and wasn't terribly impressed.

- There wasn't enough space in the house, so a fair few of the guests, me included, had to camp in the pouring rain. (Camping is horrendous and I am owed a personal apology from whoever invented the commercial tent, thus leading people to think it was somehow acceptable.) At four in the morning, lying in my tent, I heard voices outside; apparently one of my cousins had got rather drunk and forgotten which tent was his. 'Is this your tent, this little one here?' asked the exasperated other cousin trying to guide him. 'Is this your tent?'

- Eventually, my cousin found his tent and crawled in, and then I heard very annoyed voices and an odd hissing noise. It turned out the next day that he'd somehow immediately deflated the air bed his girlfriend was sleeping on.

- We ran out of petrol on the way back and got stuck on the side of the road for an hour. Apparently our petrol gauge is broken, so my dad was just guessing how much petrol we had left, and his guesswork was not spot-on. A policeman showed up and said that one of us had to get into his car, but he wasn't clear on why. It felt like we were being arrested for poor planning. The police just ended up towing us onto a slightly less busy road (rather than actually usefully towing us to a petrol station), but I still don't understand why my brother had to be in the police car.

- Once we'd got home, my mum told me a story that delighted me: apparently, my aunt's parents did not approve of her relationship with the ruffian who would later marry her and become my uncle. One day, my aunt smuggled my uncle into her bedroom at her parents' house. When they heard her father approaching, my uncle hid in the wardrobe. Her father entered the room, immediately opened the wardrobe and said, 'Who do you think you are: James Bond?'
rionaleonhart: okami: amaterasu is startled. (NOT SO FAST)
I played a couple of hours of Oxenfree last night! It's very pretty and colourful, which is an interesting design choice for a horror game. All the landscapes sort of look like they've been made out of coloured paper.

You have to make decisions within a few seconds in Oxenfree, which I find very stressful, even when most of the decisions are just 'what do you want to say now?' (I feel a bit spoiled by Life Is Strange, which not only gives you as much time as you like to choose your response but allows you to rewind and redo things if you change your mind.)

At the very beginning of the game, just after you get off the boat, I refused to speak alone with Jonas because my mind was working by Until Dawn rules: DON'T SEPARATE, BAD THINGS WILL HAPPEN. [livejournal.com profile] th_esaurus pointed out that this was very early in the game, nothing bad had happened yet, and a brief conversation with my stepbrother was unlikely to get anyone killed. I felt so bad for turning Jonas down that I restarted.

At this point I set the first and most important of several goals that would help me make decisions in the future: I want to get along with my stepbrother.

Later, after panicking during the 'who do you meet up with first?' decision at the radio tower, I came up with my second goal: I want to improve my relationship with Clarissa.

My third goal, after telling Ren there were other fish in the sea and TOO LATE realising that the game might think I want to be his fish: UNDER NO CIRCUMSTANCES can I end up in a romantic relationship with Ren.

('The game won't let you romance your stepbrother,' [livejournal.com profile] th_esaurus said, with deeply felt sadness. I laughed at her.)

I feel a lot more comfortable making quick decisions now that I know what I'm aiming for. Even if I still miss Life Is Strange. (The soft colours and loading-screen Polaroids really remind me of Life Is Strange, actually. Although I'm puzzled by the fact that Jonas took a picture on his phone and it appeared on the loading screen as a Polaroid.)

I'm playing this game at [livejournal.com profile] th_esaurus's flat, so I don't know exactly when I'll be able to pick it up again, but I hope it'll be soon! There's a lot of intriguing mystery. And I like Alex, which is unusual; I usually have trouble warming to characters who communicate entirely through dialogue choices, because they can end up feeling like an empty vessel for the player rather than a character in their own right, but a lot of personality comes through in everything she says.


Here are a handful of things I experienced in 2016 but didn't post full entries on:

- I watched the anime ERASED (it's available legally on Crunchyroll here), which is about a man who goes back to his childhood and tries to prevent the abduction and murder of a classmate. It was very good and very gripping, but I don't know whether I'll ever watch it again; it might be a bit too bleak and serious without the 'but what happens next??' drive to keep going. Still, I loved that it told a very compact, intense story in just twelve episodes. It also has one of the coolest opening sequences I've ever seen. The shots of the empty school give me chills.

- I saw Your Name in the cinema and loved it. The basic concept (two strangers keep swapping bodies across a great distance and can only communicate with each other by leaving notes) is exactly the sort of idea I find irresistible: people being drawn together by weird experiences, unable to talk about them with anyone but each other! Inevitably, I'm now wondering whether it could be employed in fanfiction for other works.

- Crazy Ex-Girlfriend is a much, much better show than you'd think from the title. A couple of my favourite songs:

I've kind of got a girl crush on you, by which I mean I wanna kill you and wear your skin like a dress.
FACE YOUR FEARS. RUN WITH SCISSORS.

- The second series of How to Get Away with Murder is, I'm delighted to report, just as stupid as the first. The scene in 'Meet Bonnie' where the students were going 'pfft, we've screwed up our lives, might as well have an orgy' inevitably delighted me. Has anyone written the fic where they follow through? I'm going to be so disappointed in fandom if nobody's written that fic.


Inevitably, the combination of fandoms in this entry is making me ponder a How to Get Away with Murder scenario in Crazy Ex-Girlfriend, in which Rebecca somehow ends up killing someone and has to try not to get caught. It's actually a worryingly plausible scenario.
rionaleonhart: harry potter: extremely poorly-drawn dumbledore fleeing and yelling NOOOOOOOOO. (NOOOOOOOOO)
Recently, I found myself thinking 'hmm, I've heard good things about How to Get Away with Murder. Maybe I should watch it? I should find out a bit more about what it is first.'

So I opened Google, and then I was struck by the terrible realisation that I was about to type 'how to get away with murder' into the search bar.

I ended up searching for 'how to get away with murder television', just in case the eyes of the government were on me.

I'm now about twelve episodes in!


Thoughts on the first twelve episodes of 'How to Get Away with Murder'. No spoilers for the main plot. )


An exchange with one of my Visitorverse co-writers:

VampireBadger: No! No, Altair and Desmond are not going to make out! Stop it, don't you dare write them together.
Riona: VAMPIREBADGER, YOU KNOW THAT TELLING ME TO STAY AWAY FROM HAYTHAM/AVELINE JUST MADE ME THROW MORE WEIRD HAYTHAM/AVELINE IMPLICATIONS IN.
VampireBadger: YES BUT ENCOURAGING YOU TO WRITE WEIRD PAIRINGS ALSO RESULTS IN WEIRD PAIRINGS. THERE IS NO WAY TO WIN WITH YOU, RIONA.

I think this is the best thing anyone's ever said to me. (I have not, incidentally, written Altaïr and Desmond making out. Although I did write a scene on which multiple people commented to say '...I'm pretty sure you were picturing those two making out when you wrote this,' and they were absolutely right.)


In other news, we are two episodes into the final series of Peep Show and I've realised once more how deeply invested I am in Mark/Jeremy. If Peep Show doesn't end with Mark and Jeremy falling into some sort of awful self-loathing mess of a sexual relationship, I will sob.