Sequences in which characters don’t entirely know what’s real, whether they can trust their own perception or their own memories.
Out of curiosity, do you prefer that the viewer/reader also not know what's real, or would you rather have a solid footing that the characters don't have?
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Out of curiosity, do you prefer that the viewer/reader also not know what's real, or would you rather have a solid footing that the characters don't have?