Riona (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
rionaleonhart) wrote2011-02-07 01:02 pm
rionaleonhart) wrote2011-02-07 01:02 pm
Entry tags:
Grab The Ball! Run! Throw! Tackle! MORNINGTON CRESCENT.
Glee is back! I am inordinately excited.
My reaction to episode 2.11 of Glee can be summed up in one line, and it is this:
omg Karofsky ♥
Karofsky Karofsky Karofsky you are my favourite. I am in love. I want a great big storyline in which Karofsky and Kurt make up.
(I initially typed 'make out' there. Whoops. There needs to be a lot of progression in their relationship before I'd be comfortable with them making out. But I do now feel that I could eventually accept it, as opposed to prior to this episode, when I felt that an actual Karofsky/Kurt relationship would be an awful thing to happen.
Still a Kurt/Blaine 'shipper, though. I - I think.)
also I am finding Karofsky weirdly attractive this has never happened before
But yes! This episode seemed specifically designed to make me grin as much as possible, despite including an awful lot of a sport that makes approximately as much sense as Mornington Crescent to me. FOR EXAMPLE:
- BEISTE SAYING 'YOU'RE NOT GONNA TRY AND KISS ME AGAIN, ARE YOU?' BEST THING EVER. (Beiste in general was wonderful in this episode.)
- BULLY FOOTBALL PLAYERS FORCED TO BE IN THE GLEE CLUB BEST THING EVER.
- KAROFSKY HITTING THE GUY WHO WAS TAPPING ALONG TO THE MUSIC BEST THING EVER.
- THE WARBLERS BEING MASSIVE DANCING DORKS BEST THING EVER.
- RACHEL AND MERCEDES AND BLAINE AND KURT ALL HAVING COFFEE TOGETHER BEST THING EVER although it could admittedly have been improved by the presence of Quinn and/or Pokémon.
And then Will asked Karofsky to stay behind and told him he was actually a good dancer and oh my heart my heart. Max Adler is such a wonderful actor! So many subtle emotions flitting across Karofsky's face throughout this entire episode. FORGET ABOUT ALL THE OTHER STORYLINES; I JUST WANT THE DAVE KAROFSKY GRADUAL REDEMPTION SHOW.
Well, that's one of the more unexpected instances of a character SLAMMING INTO MY HEART LIKE A BULLET. I could not have predicted this, but I am not complaining.
My reaction to episode 2.11 of Glee can be summed up in one line, and it is this:
omg Karofsky ♥
Karofsky Karofsky Karofsky you are my favourite. I am in love. I want a great big storyline in which Karofsky and Kurt make up.
(I initially typed 'make out' there. Whoops. There needs to be a lot of progression in their relationship before I'd be comfortable with them making out. But I do now feel that I could eventually accept it, as opposed to prior to this episode, when I felt that an actual Karofsky/Kurt relationship would be an awful thing to happen.
Still a Kurt/Blaine 'shipper, though. I - I think.)
also I am finding Karofsky weirdly attractive this has never happened before
But yes! This episode seemed specifically designed to make me grin as much as possible, despite including an awful lot of a sport that makes approximately as much sense as Mornington Crescent to me. FOR EXAMPLE:
- BEISTE SAYING 'YOU'RE NOT GONNA TRY AND KISS ME AGAIN, ARE YOU?' BEST THING EVER. (Beiste in general was wonderful in this episode.)
- BULLY FOOTBALL PLAYERS FORCED TO BE IN THE GLEE CLUB BEST THING EVER.
- KAROFSKY HITTING THE GUY WHO WAS TAPPING ALONG TO THE MUSIC BEST THING EVER.
- THE WARBLERS BEING MASSIVE DANCING DORKS BEST THING EVER.
- RACHEL AND MERCEDES AND BLAINE AND KURT ALL HAVING COFFEE TOGETHER BEST THING EVER although it could admittedly have been improved by the presence of Quinn and/or Pokémon.
And then Will asked Karofsky to stay behind and told him he was actually a good dancer and oh my heart my heart. Max Adler is such a wonderful actor! So many subtle emotions flitting across Karofsky's face throughout this entire episode. FORGET ABOUT ALL THE OTHER STORYLINES; I JUST WANT THE DAVE KAROFSKY GRADUAL REDEMPTION SHOW.
Well, that's one of the more unexpected instances of a character SLAMMING INTO MY HEART LIKE A BULLET. I could not have predicted this, but I am not complaining.
no subject