Riona (
rionaleonhart) wrote2007-02-13 09:59 pm
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DI Tyler Thinks He's From The Future. Cuckoo.
I loved that it said "And now, Life on Mars. In colour." before the episode. Hee!
OH MY GOD, SAM IS INSANE. (Well, we knew that already, of course, but he spent this episode being even more insane than usual.) I thought it started slowly at first - at the beginning, I was thinking 'oh no, do I not love Life on Mars any more?' - but then oh my God, I was absolutely hooked.
It's very different to the last time Sam had a very personal interest in a case (Episode Six in the last series, the case parallelling his mother's decision to have his life support turned off): there, he was being especially cautious for fear that somebody might die; here, he is being especially ruthless for fear that the suspect will get away. It was interesting to see Sam and Gene being, essentially, completely reversed. And then, of course, they eventually joined forces and were awesome, as always.
I somehow managed to find "we thought you'd like to die together" adorable, which is weird, frankly.
I loved it when Sam came out of the car, and he stumbled and collapsed and told Gene to go after the criminal, but instead Gene came back and helped him up. The Sam/Gene is still alive and well in this series, obviously.
And Gene respects Annie now, which is really rather lovely.
THERE WAS, HOWEVER, NO WALLSLAMMING. HOW CAN THERE BE NO WALLSLAMMING? DID GENE PHYSICALLY ATTACK SAM AT ALL? HOW CAN THERE BE AN EPISODE OF LIFE ON MARS WITHOUT GENE PUNCHING SAM IN THE GUT OR SLAMMING HIM AGAINST A WALL?
I was not able to watch Episode Two tonight, so please don't spoil me for that.
OH MY GOD, SAM IS INSANE. (Well, we knew that already, of course, but he spent this episode being even more insane than usual.) I thought it started slowly at first - at the beginning, I was thinking 'oh no, do I not love Life on Mars any more?' - but then oh my God, I was absolutely hooked.
It's very different to the last time Sam had a very personal interest in a case (Episode Six in the last series, the case parallelling his mother's decision to have his life support turned off): there, he was being especially cautious for fear that somebody might die; here, he is being especially ruthless for fear that the suspect will get away. It was interesting to see Sam and Gene being, essentially, completely reversed. And then, of course, they eventually joined forces and were awesome, as always.
I somehow managed to find "we thought you'd like to die together" adorable, which is weird, frankly.
I loved it when Sam came out of the car, and he stumbled and collapsed and told Gene to go after the criminal, but instead Gene came back and helped him up. The Sam/Gene is still alive and well in this series, obviously.
And Gene respects Annie now, which is really rather lovely.
THERE WAS, HOWEVER, NO WALLSLAMMING. HOW CAN THERE BE NO WALLSLAMMING? DID GENE PHYSICALLY ATTACK SAM AT ALL? HOW CAN THERE BE AN EPISODE OF LIFE ON MARS WITHOUT GENE PUNCHING SAM IN THE GUT OR SLAMMING HIM AGAINST A WALL?
I was not able to watch Episode Two tonight, so please don't spoil me for that.
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It's taking all my willpower not to watch Episode 2! ^-^'
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(I was, by the way, sorely tempted to tack an 'In unrelated news, I very much want to snog the Jeremy from
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*blush!* Hehe - you'll have to get in line, there's a long queue to get your hands on that boy at the moment! XD
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Sam has little or no emotional morality with regard to his job in many ways - he substitutes an intellectual morality in its place. Sam is, in many ways, a clinical psychopath - he has little empathy, instead he opts for intellectualising the situation (as many clinical psychopaths do in real life to cope with the absence of empathy in their makeup and sometimes do so well that they're actually *better* at conveying empathy than people who have messy feelings getting in the way).
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*spams*
I'm not totally sure I agree with regards to Sam having little emotional morality, though; on the contrary, he displays a sense of it pretty often. I would say his reaction was understandable(ish) in the ways the Crane case was personal to him and the position it placed him in, no?
Re: *spams*
If, for example, I was punched in the face and wound up in the police station giving a statement, I'd certainly choose to have the professionalism and the indepth rigour that should be applied to the case, but frankly, I suspect I'd kill for a cup of coffee and a "poor you".
It's a very simplistic analogy - but I think it's part of what they're getting at. Maybe all of Life on Mars is actually a recruitment campaign for Freudian psychologists?
Re: *spams*
Re: *spams*
(And from the spoilers I've been reading, it sounds a bit as if that is what happens here!)
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...mew.
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EXHIBIT B: The little "r" next to the episode name on the Homechoice TV guide when I turned on my TV to watch it tonight.
OH YES.
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EXHIBIT B: She would also like to point the court towards the official site, on which the airdate next to 'Episode 1' is quite clearly '13th Feb'.
EXHIBIT C: She would, furthermore, like to put the following question to the jury: why has nobody on the Internet mentioned seeing it when it was allegedly aired last week?
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EXHIBIT D: This person does not pay attention to what TV shows people discuss on the Internet, unless it is posted on this Livejournal.
EXHIBIT E: ...I HAVE MORE PIECES OF EVIDENCE THAN YOU. SO I WIN.
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REBUTTAL OF EXHIBIT E: Due to above awesome rebuttal of D, this exhibit is no longer valid.
EXHIBIT E: Meaning that you only have three exhibits, whilst this makes five. So I win. MAN, I'M AWESOME.
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Actually, if we're going to be technical, your rebuttal of Exhibit D does not invalidate Exhibit E, because your Exhibits C and D were not, in fact, solid evidence. They were a question put to the jury and a statement of belief, respectively.
So if my Exhibit D doesn't count as evidence, no do your C and D. Meaning that I have four exhibits and you have three, or we've both got three. Depending on how it works.
Perhaps I have another dimension of the BBC open to me?
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Perhaps I have another dimension of the BBC open to me?
I don't even understand what that meansTHE ACCUSER MAY NOT SHIFT DIMENSIONS. IT IS UNFAIR TO THOSE OF US WHO ARE UNABLE TO ESCAPE OUR THREE-DIMENSIONAL EXISTENCE.Exhibit F: The defendant would like to refer the court to the Febuary 9th entries of
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The world's media seems to be conspiring to convince me it was on last week. The accuser sees nothing against dimension-switching in any laws laid down by the British government.
AND I'M NOT THE ONLY ONE SO HA. I refer your Honour to a Mr Christopher Ham(m)er, who recalls seeing a trailer for something Life-On-Marsy last week.
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Miss Evans is warned against making further unfounded statements of opinion. They are irrelevant to this trial and could provide unfair bias towards her opponent.
And believe me, I'd be doing better on this if it were possible to take screenshots of Homechoice.
(Also, you have KEPT ME UP. DAMN YOU. I have to get up tomorrow morning =( )
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(Also, it's totally unfair that you get to be the judge in this.)
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Can't we just accept that obviously you hallucinated these alleged announcements about its airing, because there is no reference anywhere to its airing on the ninth?
Also, I am sorry that I kept you up, and I hate myself for misspelling February. STUPID SUPERFLUOUS 'R'. Although at least I have not spelt anyone's name incorrectly, ha!
I AM NOT GOING TO APOLOGISE FOR GENDER-CONFUSING YOU BECAUSE NOW I HAVE NO IDEA WHETHER MY NAME IS SPELT WITH AN 'A' OR AN 'E' AND IT IS ALL YOUR FAULT.)
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He did! I sincerely hope I wasn't the only person whose mind leapt immediately to Dr. Cox. Although now it's gone to Daphne of the Mystery Machine gang, due to the close proximity of this observation to the one about Nancy Drew. Which is daft.
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The lack of Sam/Gene wallslamming was distressing indeed, but don't worry, the second ep makes up for it. (If you've seen the advert, I need only say the word 'boot'.) And plus, there was so much flirting at the start of the ep, eee!
Also, is it bad that Sam/Tony Crane is my new on-crack hatesex OTP?
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I cannot believe that that didn't occur to me (I DO NOT DESERVE TO CALL MYSELF A SLASHER), and now I think that it may be mine as well.
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Oh my god, I can't believe I didn't mention - EVEN MORE USAGE OF GIRLS' NAMES ASJFDSDJFKJSDLF. Daphne! Dorothy!
Thus begins my campaign to make you write it, you do realise?
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The Hungarians were, well sort of impossible not to like in spite of everything just because they were so dim. That one probably would have held on to Chris forever if someone hadn't told him to let go.
Gene did knock down his door, and they did do a synchronised punch again.
Chris is even more brilliant and ZOMG plot bomb at the end! I was going to post about my theories, but now they are all turned on their heads.
I'm amazed at Annie's willingness to put up with Sam, although she did get a promotion out of him. I haven't watched much House but I have to wonder if she's got some sort of Cameron thing going on.
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Hee, I did like Chris and the Eternal Headlock. Nobody did anything about it!
I don't think Annie is really very Cameron-ish at all, but I may only be blinded to their similarities because their accents are so different.
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It's mostly just the 'sticking by people even though (because?) they're hopelessly doomed/insane' thing.
Oh god, now I'm thinking about House-Life on Mars crossovers.
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Oh my god, thank you, I feel slightly less insane now. I had exactly the same reaction, and then was amazed at my own weirdness.
I actually did not notice the absence of Sam/Gene wallslamming/violence in general, but now you mention it--good point. Where did that go? I am resting my hopes on the shutting Sam in the boot/Sam punching Gene from inside the boot sequence next week, even though I have no idea what it is about, because I'm sure it will be brilliant.
Gene going back to help Sam up and drag him away, though? I honestly nearly clapped out loud with joy.
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I am absolutely certain that the boot thing will be glorious. And I am also very glad that someone else shared my "awww, dying together! ...wait, what?" reaction.
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And lots of exclamations, apparently. Ohh, but I really liked it. So much slashy goodness! And Sam went blind and I cared, even though I'd never seen the thing before.
And Gene helped him up. It was brilliant.
Although, to be fair, you've pretty much got me hooked as a viewer when you start the episode by having one half of a male police team kick the door down to the other's flat/house/bedroom/whatever and the rudely-awakened one acting like it wasn't that huge a deal. *brain goes boom*
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This isn't a great one to start with, really, because you haven't really got to know Sam yet and in this episode he's behaving somewhat unusually due to the urgent circumstances, but I am very glad that you enjoyed it!
Sam and Gene are so insanely slashy. It is glorious.