Riona (
rionaleonhart) wrote2007-04-09 05:46 pm
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Voice Post:
(Oh my God, I hate my voice. I CANNOT BELIEVE I REALLY SOUND LIKE THAT. WHY DID I NOT REPLAY IT BEFORE POSTING?)
EDIT: Expansion on the Life on Mars/Silent Hill crossover idea mentioned (made ten times better by the fact that you do not have to listen to my voice!):
- The end of the second episode of Series One, with the sewers and the board-with-a-nail and the radio interference, was pure Silent Hill. Seriously. And there are staticky televisions and they are the same, apart from the fact that one of them is a time-travel cop drama. Erm. Maybe not exactly the same.
- Obviously, Sam and the team venture into Silent Hill for, er... well, I cannot think of any good reason for them to be going after a reported crime in Silent Hill. It's not exactly their patrol area, after all. They just do. Then Sam starts going insane (even more insane than usual, I mean) and begins to forget about the future. THERE IS SOMEHOW SOME SORT OF A PLOT POSSIBLY. Chris probably dies at some point. I am sorry, Chris; I like you, but you seem like the sort of person who would die in Silent Hill. Sam angsts about not being able to tell what is real and about his relationship with Gene and also because Silent Hill is generally a place of angst. The end! Awesome crossover!
- It is, admittedly, not the most detailed plan ever made.
EDIT: Expansion on the Life on Mars/Silent Hill crossover idea mentioned (made ten times better by the fact that you do not have to listen to my voice!):
- The end of the second episode of Series One, with the sewers and the board-with-a-nail and the radio interference, was pure Silent Hill. Seriously. And there are staticky televisions and they are the same, apart from the fact that one of them is a time-travel cop drama. Erm. Maybe not exactly the same.
- Obviously, Sam and the team venture into Silent Hill for, er... well, I cannot think of any good reason for them to be going after a reported crime in Silent Hill. It's not exactly their patrol area, after all. They just do. Then Sam starts going insane (even more insane than usual, I mean) and begins to forget about the future. THERE IS SOMEHOW SOME SORT OF A PLOT POSSIBLY. Chris probably dies at some point. I am sorry, Chris; I like you, but you seem like the sort of person who would die in Silent Hill. Sam angsts about not being able to tell what is real and about his relationship with Gene and also because Silent Hill is generally a place of angst. The end! Awesome crossover!
- It is, admittedly, not the most detailed plan ever made.
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Really? Obviously, you are psychic. (I was planning to say 'Sir Lancelot had a bath made of glass on the grass in the castle' at some point in the voicepost, by the way, but forgot.)
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If only there were a way to apply those psychic-bursts to areas where they would be slightly more useful! *woe* (It may be just as well, really, considering how little any of that has to do with Silent Hill, and probably Life on Mars I assume.)
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Seriously, it is a time-travelling cop drama, and the main character is completely, gloriously insane, and oh my God look at how gay they are! The BBC are teasing us, surely? Surely they can't not be aware of how 'get rid of that camera; my DCI and I are about to have filthy, filthy sex' that image is?
I don't even know whether you're a slash person - you don't seem to talk about pairings much - but hey, any excuse to flash that picture around.
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...There is no way that is not intentional. Teasing. Definitely teasing. THEY READ LJ AND THEY KNOW.
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That is very odd! Car-induced chronological displacement? (Good enough motivation to never be run over, I suppose.) I do not entirely understand what is going on, but I am intrigued.