Riona (
rionaleonhart) wrote2009-05-26 04:34 pm
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Dear Self: You Cannot Spend Sixty Pounds On A Manga Boxset.
SERIOUSLY, GUYS, SOMEONE WRITE/DRAW ME LIGHT/HIMSELF. PLEASE. HE IS SUCH A NARCISSIST AND THIS NEEDS TO EXIST. I have a mental image of Kira!Light pinning down non-Kira!Light's wrists and smirking at him, and it is amazing. I would love to bring it into the physical world. It is such a shame that I have no artistic ability whatsoever.
Ahem. Anyway, I have now finished watching Death Note.
I became quite emotional during the final episode, actually. There's just something a bit horrible about seeing controlled, calculating, intelligent Light reduced to a pathetic mess.
I'M NOT SUPPOSED TO BE FEELING SORRY FOR A DERANGED MASS-MURDERER.
SERIOUSLY, DEATH NOTE, WHAT HAVE YOU DONE TO ME? If I end up in prison, I'm blaming you.
Other notes:
- Oh, oh, Matsuda was so betrayed. I want to give the poor man a hug. He always believed in Light!
- Near: you're all right, I suppose, but you cannot replace L in my heart. It did feel a little too 'OH, HEY, L'S BACK, EXCEPT WITH WHITE HAIR AND WITHOUT THE TRAGIC UNREQUITED CRUSH ON KIRA. ALSO, HIS QUIRK IS NOW TOYS INSTEAD OF SWEETS'. If you want to kill L, writers, kill L; if you want L around, don't kill L. You can't just kill L and then bring in L the Second!
- Really, Death Note did rather go downhill after L's death. I still enjoyed it, but not to quite the same extent. Woe. This, I think, was in part because, y'know, no L, and in part because it just became too complicated.
- Also, I was a little sad at the lack of interaction between Light and Ryuuku in later episodes. They had an oddly adorable relationship.
- Was - was that Matt? The man who appeared in one episode, had two lines of interior monologue and two lines of dialogue, and was then shot to death? Don't people massively 'ship him with Mello or something? He barely even appears. Does he have more of a part in the manga? Was I mistaken in my belief that Matt/Mello was an enormously popular pairing? I am so confused!
- Light! So sad! So inexplicably sad! (I cannot believe I am mourning Light. He is just a terrible person in so many, many ways. And yet!)
This is probably my favourite scene in the whole of Death Note. I laughed so hard. It is simply not what one expects of a terrifying god of death.
In conclusion, Death Note is essentially a murder mystery that tells you who the murderer is before he starts murdering. It is a slightly odd concept, but I think it works.
Ahem. Anyway, I have now finished watching Death Note.
I became quite emotional during the final episode, actually. There's just something a bit horrible about seeing controlled, calculating, intelligent Light reduced to a pathetic mess.
I'M NOT SUPPOSED TO BE FEELING SORRY FOR A DERANGED MASS-MURDERER.
SERIOUSLY, DEATH NOTE, WHAT HAVE YOU DONE TO ME? If I end up in prison, I'm blaming you.
Other notes:
- Oh, oh, Matsuda was so betrayed. I want to give the poor man a hug. He always believed in Light!
- Near: you're all right, I suppose, but you cannot replace L in my heart. It did feel a little too 'OH, HEY, L'S BACK, EXCEPT WITH WHITE HAIR AND WITHOUT THE TRAGIC UNREQUITED CRUSH ON KIRA. ALSO, HIS QUIRK IS NOW TOYS INSTEAD OF SWEETS'. If you want to kill L, writers, kill L; if you want L around, don't kill L. You can't just kill L and then bring in L the Second!
- Really, Death Note did rather go downhill after L's death. I still enjoyed it, but not to quite the same extent. Woe. This, I think, was in part because, y'know, no L, and in part because it just became too complicated.
- Also, I was a little sad at the lack of interaction between Light and Ryuuku in later episodes. They had an oddly adorable relationship.
- Was - was that Matt? The man who appeared in one episode, had two lines of interior monologue and two lines of dialogue, and was then shot to death? Don't people massively 'ship him with Mello or something? He barely even appears. Does he have more of a part in the manga? Was I mistaken in my belief that Matt/Mello was an enormously popular pairing? I am so confused!
- Light! So sad! So inexplicably sad! (I cannot believe I am mourning Light. He is just a terrible person in so many, many ways. And yet!)
This is probably my favourite scene in the whole of Death Note. I laughed so hard. It is simply not what one expects of a terrifying god of death.
In conclusion, Death Note is essentially a murder mystery that tells you who the murderer is before he starts murdering. It is a slightly odd concept, but I think it works.
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I have the manga and even I read it I spent ages going, "So... who's Matt again?" On rereading, I swear he's in a few frames, or like 2 pages. I'm sure that's pretty much it. Somebody might wanna confirm that though.
Perhaps he's used so much as it's a male character who isn't an OC but isn't really developed?
I really missed L. (When I was spoiled about his death, I guessed when he would die by the images on the manga covers. I got it right too! :P) I did like the ending because it couldn't really have ended any other way.
Alas, I struggle to find good Death Note fic however (although I would totally read narcisstic Light/Light fic, just because it could be amazing!). I just read a rather crackish AU and all the fics of another author whose Final Fantasy 7 fics I really liked (and then they wrote amazing Death Note fics - great!).
Whoops, sorry for the fanfic babble! :P
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Then I feel I made the right choice to stop there! I still don't actually know Light's fate. If you feel like telling me some spoilers, I'd be all for that.
Also, yes, Matt/Mello is enourmously popular, and no, he does not have a bigger part in the manga (to the best of my knowledge).
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Soichiro, Matsuda, Aizawa and the other cops were my collective favourite characters in Death Note. That said, and in regards to what you mention about Near, I have a bit of a soft spot for Mello for the sorts of reasons you're mentioning. He's just refreshing in this series comprised so intensely around restrained and focused characters.
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Snap, went the first shackle, and Light turned to look at it with an apathetic curiosity.
"A society without laws is a society without a government, because in the end, someone must always be coerced by threat of force. Without firm law, one particular individual can hijack the will of others - either preventing their achievements in the best case, or profiting without contributing in the worst. You remember your Hobbes, you read it when you were twelve. Without society mankind is in a state of war, and his life 'solitary, poor, nasty, brutish, and short'. And society is law."
Snap, the second shackle, though these couldn't be real. A hallucination couldn't honestly manipulate steel and chain, which made this another coping mechanism conjured by his brain. An excuse not to move, perhaps?
Why was he cold?
"So to act against law is to act against society. Criminal acts are revolutionary acts. Breaking the law is treason. Because it is only law that keeps society together, and only by society that we avoid Hobbes's state of permanent warfare, of every man for himself, every human against every human. The criminal doesn't realise this, the criminal realises... x in ten are caught, x1 in x arrested, x2 in x1 charged, x3 in x2 convicted, and the odds x3 in ten become infinitessimally short. Every time a criminal realises the unlikeliness of his punishment, society allows a fraction more anarchy, and the nightmare spelled out in Leviathan becomes a fraction more real."
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Thing is, I could have liked Kira. Then he started killing innocents along with the guilty and not caring about his family and no, that is not okay.
alhlgkjghs XDXD at wondering about Matt. His part is a little bigger in the manga but no, you're right, that's mostly it. I sort of ignored both Mello and Matt (and Near...) until a friend starting writing M/M fics. Mostly they were centered around speculation of why Matt hung with Mello and was willing to fight and die for him (especially considering this guy was number 3 and didn't really seem to...care). It's a fannon Matt, but a Could Be senario and I liked that.
XD "whee...plonk."
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Near was okay. I liked Mello more, because he was messier and more complicated. I felt bad for Mello, especially as things go on.
I found Light fascinating, but wasn't really sad for him when he cracked up like that. Mostly because I pretty quickly mentally slotted Light into the 'sociopathic bastard' category (when he jumped so quickly from 'I don't actually think it will work, but I'll test on murderers just in case' to 'Here's my elaborate plan for declaring myself judge, jury and executioner to the world!'), so it was more interesting than sad.
Based on your plot preferences, I strongly suspect you'd like the Japanese movie versions. Which are similar, but not identical in plot to the cartoon.
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(Or, idk, potentially catch a train from N St. station to International? It could be quicker/cheaper. But we can cross that bridge in a couple of days.)
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