rionaleonhart: final fantasy viii: found a draw point! no one can draw... (you're a terrible artist)
On Saturday, I attended a party at someone's house. There were some guests I knew, many I didn't; everyone was around the kitchen area. At one point I had to go up to the bathroom to change my sanitary towel, and then I realised there was no bin in the bathroom.

Who doesn't have a bin in their bathroom?

So I had to wrap up my used sanitary towel, put it in my bag and return to the party.

There was a bin in the kitchen. I eyed it longingly. But it was surrounded by PARTY GUESTS I DIDN'T KNOW, and I found myself reluctant to go up and throw a sanitary towel into the kitchen bin in front of a load of strangers. So I just stood there, paralysed by indecision, with this stupid thing still in my shoulder bag.

This may be the most Peep Show thing that has ever happened to me.

('What happened?' a friend of mine asked me, because it was apparently evident from my expression the moment I re-entered the party that all was not well. They were very amused by my hushed, desperate answer.)

In the end, I cunningly concealed it within a paper plate and threw that away. Nobody suspected a thing.


The Wind Singer, I discovered on my reread, is the origin of a scene that's haunted me since childhood. An infinite number of murderous teenagers are marching along, singing a cheerful song about killing. They want to murder people, but all of civilisation is on the other side of an enormous chasm. There is no bridge across the chasm. Their strategy for crossing is this: they march over the edge, and they fall, and they die, and eventually enough corpses will pile up at the bottom of the gorge for the next fallers to land safely on the corpse pile and walk across.

Did I read anything as a child that wasn't horrifying? I feel that this book and Animorphs probably had a big influence on my alarming taste in fiction.

The Wind Singer also gave me unhealthily codependent sibling protagonists long before I got into Supernatural. 'My brother's been brainwashed into being one of the murderous teenagers! I could run, but I think I'd prefer to just let him murder me.'


I played a little more Transistor at last! I've forgiven Red's sword for secretly being a person trapped in a sword and I'm 'shipping him with Red again. Her sword admires her so much! It's really charming!

There's a lot of really nice detail in this game. And the visuals are so stylish. And the music is great.

I think my favourite part is when the sword is in a bad way, and Red can't speak to reassure him, so instead she finds a computer terminal and types messages to him.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (NOOOOOOOOO)
I've been watching an inexperienced gamer play Heavy Rain, and it's one of the funniest things I've seen in my life. Everything's so needlessly complicated! Ethan constantly fails at simple tasks like sitting down, opening the fridge or pushing his kid on the swing. The actual story is distressing stuff (it's a crime thriller about a murderer who targets children), but it's a sort of magical experience when the characters muddling through it don't have the basic competence to take a sip of orange juice.

I think my favourite part may be the attempt to tie someone else's necktie.

I also enjoy how distressed the player is when Ethan takes a shower and then puts the same pair of pants he slept in back on.

On a note that isn't 'this very serious thriller is absolutely hilarious': the way button prompts get shaky when the character you're controlling is panicking is a pretty neat touch.


The Wind Singer by William Nicholson was one of my favourite books when I was a child, and I've vaguely intended to reread it for... a very long time. I suppose on some level I've been going 'oh, I've read it so many times there's no point in rereading it, surely,' but by this point it must have been well over a decade since I last picked it up, and I think the time to reread it has come at last.

I was a little afraid it wouldn't hold up, but I felt my love for this book surging back almost immediately. There's a strange beauty in the straightforwardness and simplicity of the writing style, and I love the 'you don't have to be the very best; you don't have to compare yourself constantly to other people; you can love the people who are important to you, and that's enough, that's a worthwhile existence in itself' message of it.

The Hath family are a delight; the characters are so well-drawn, and they're all held together by their fierce love for each other. It never occurred to me before, but maybe a part of my love for family dynamics in fiction stems from this book.

I've always remembered how magnificently passive-aggressive Ira is towards anyone who harms her family. I think my favourite instance might be where two officials are waiting in her house for her daughter's return, so they can arrest her, and Ira asks whether they'd like a drink while they're waiting. Then she just leaves them for ages to get thirstier and more impatient, and on her return they go 'where's our drink?' and she acts very surprised. No, you misunderstood; she never offered you a drink. She asked you whether you'd like a drink. She was just making conversation.