rionaleonhart: the mentalist: lisbon, with time counting down, makes an important call. (it's been an honour)
Seeing Monoursa every time I come to the front page of my journal is starting to make me feel very uncomfortable, and so I am compelled to push it down with an entry. Unfortunately, this entry contains equally horrible speculation on what might happen in chapter four of Dangan Ronpa. But, you know, at least it's under a cut!

Spoilers up to yesterday's update of the Let's Play, update 72.


Dangan Ronpa: it's essentially baseless prediction time! )


I've been worrying, inevitably, about how I would cope in Dangan Ronpa. Well, 'badly', of course, but more specifically than that. I say 'worrying' rather than 'wondering' because I actually find myself getting quite anxious about my inability to come up with a good plan for this scenario. Riona, you are highly unlikely to be locked in a school by a sadistic teddy bear that wants you to murder your peers. All else aside, why would Hope's Peak Academy select you? You're not a high-school student. Even if you were, what would your title be: Super High-school Level Ill-advised Pokémon Crossover Writer?

My first thought was that I'd probably just squirrel away as much food as I could and lock myself in my room. On further consideration, though, survival is about more than just not being murdered: it's also about being able to catch the killer when murders are committed. If the other captives don't know what you're like, if as far as they know you haven't formed any attachments to anyone else, you'll look suspicious. If they conclude that you're the murderer when you're not, everyone dies.

So I suppose the thing to do is to stay, as far as possible, in the company of at least two people you're reasonably confident won't try to kill you. I think Asahina and Chihiro are the ones I'd be quickest to trust. Anyone who wanted to murder you would have two options: kill you in so subtle a way that your companions wouldn't realise who did it, or kill all three of you. All of you become very inconvenient to target. (The 'at least two', of course, is in case you've misjudged one of your companions.)

I am definitely thinking too much about this.


I was just poking through my bookmarks, seeing whether I had anything to add to this entry for people who haven't yet fallen into the fabulous pit of despair that is Dangan Ronpa, and discovered that at some point I felt the need to bookmark a video in which the little round sheep of Final Fantasy XIII sit around and occasionally go 'baa'. The video is HD and thirty-five minutes long. All right, then.

I don't think the sheep video is really entry material. Sorry, people who aren't reading Dangan Ronpa: I've failed you.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (let's go)
Xemnas isn't terribly popular, is he? I did think that was rather a failing of Kingdom Hearts II: the most important enemy is one of the least interesting. Luxord is well-spoken and smirky; Demyx is an adorkable coward; Xemnas just stands on a castle and goes 'BLARGH HEARTS'.

(Er, sorry, [livejournal.com profile] twicetheheart31 and [livejournal.com profile] mad_lemming_89.)


On weird Supernatural threesomes. Spoilers for the fourth-season finale. )


More of The Mentalist! The opening of 'Red Sauce' was probably the fastest I've ever gone from 'starting episode' to 'DELIGHTED SQUEAKING'. The team celebrate birthdays together! They have cake! They give each other presents! Jane guesses what the presents are! I am overwhelmed by adorability.

And then there was Unexpected Fredric Lehne! Sadly, his character was nothing like the Yellow-Eyed Demon. MAN, ACTORS, STOP PLAYING CHARACTERS WITH DIFFERENT PERSONALITIES. YOU'RE SO INCONSIDERATE. (Perhaps Azazel was possessing someone else for the duration of this episode? But whom?)

At the end: 'Meh; you're just trying to find fault.' Just trying to find fault! When she suggests that perhaps driving a mob boss up the wall isn't a good idea! Patrick Jane, you nutcase. (Jane was generally wonderfully mad in this episode. Hypnotising and hugging and taking far too much pleasure in annoying people all over the place! Being adorably clueless about golf ('could you hand me one of those sticks?')! His eventual extracting-a-confession method made me a bit uncomfortable - it just seemed a little too cruel - but then he shamelessly ogled Rigsby and I was right back to adoring him.)
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (three seconds later)
I am fairly certain that the guy who plays Jake in the Mentalist episode 'Carnelian, Inc.' also plays Charles Westmoreland in Prison Break. Lisbon's actress, of course, plays Veronica in Prison Break. Sadly, whilst I absolutely love Lisbon and Westmoreland, I'm not terribly interested in Jake or Veronica, so I am having trouble coming up with stupid Prison Break/The Mentalist crossovers based on their shared actors. They can't possibly not be crossed over! They share two actors! SURELY THERE IS SOME SORT OF RULE ABOUT THIS.


And more on The Mentalist. Thoughts on the episodes 'Carnelian, Inc.' and 'Russet Potatoes'. )


I really like that Jane says 'Thank you' whenever anyone does something for him. People are generally not polite enough in television land! (Of course, there's probably a touch of calculation about it, making people feel that their helpfulness is recognised and so making them subconsciously more inclined to be helpful in the future, but it's still an aspect of his behaviour that I like very much.)

The 'Writer's Block' question on the front page is asking me with which fictional character I would most like to go on a date. Right now, I suppose my answer would have to be 'the entire CBI'. The only scenario I can really envision for that is 'I'm a murder suspect in California and they arrest me', though, which would be sort of a rubbish date. Perhaps just Jane, then, and we can go to a restaurant and he can show off by reading my body language, and then I can give him a much-needed hug, which of course will have been my secret motive for the date all along. (He'll have worked out my 'secret motive' two minutes into it, of course, but he won't say anything.)
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (never leave us again)
I really do have a tendency to overthink things. I was pondering the possibility of somehow bringing Patrick Jane into the real world just so I could give him a hug, because he really needs one (I was so sad when Van Pelt failed to hug him at the end of 'Seeing Red'. He's crying, Van Pelt! It's heartbreaking! Don't just close the door!), but then I started wondering whether it would be right to make a person with so much inner pain real, and whether discovering that his wife and child never truly existed would just make things worse for him, and seriously, imagination, all I wanted was a nice daydream in which I gave the poor man a hug. Must you ruin everything? I suppose I'll just have to confine my Jane-hugging plans to vague schemes of leaping through the screen into his world, then.

(I really hope I'm not the only person who worries excessively about wildly implausible scenarios. Last week I was panicking about being trapped in the world of Pride and Prejudice. What if Mr Bingley calls upon me to sing, as an accomplished young woman should be able to, and all I can think of is the Pokémon theme tune? It will be a disaster.)

Speaking of Jane's need for hugs: 'Seeing Red' broke my little heart. I actually made an embarrassing high-pitched keening noise after he said, 'Well, that would be very sad.' Oh, Jane.

The opening of 'The Thin Red Line' did help to take away the woe a little, though. Patrick Jane should always be holding an adorable baby. It would possibly be slightly impractical on occasion during his crime-fighting adventures, but it is nonetheless true.


And some mildly spoilery thoughts on 'Flame Red'. )


I think 'Patrick Jane is quietly and genuinely in love with every person on his team' is my favourite piece of personal Mentalist canon. Not that I've had enough time to develop much, but still. It is such a lovely and yet heartbreaking thought!
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (you have got to be kidding)
IT IS TIME TO SHARE EMBARRASSING OLD FANFICTION. I shall start us off by quoting a few paragraphs from the Final Fantasy X self-insertion I wrote a few chapters of between the ages of thirteen and fourteen. Please join in by sharing your own shame-inducing fanfiction in the comments, because otherwise I'm just going to hide in a corner for ever.

THE STORY SO FAR: Riona, who has an embarrassingly large crush on Tidus (ACTUAL QUOTE: She hit the ‘New Game’ button, and watched as the opening scene played out. She grinned to herself at the close-up of Tidus on the cliff. Wow, he was a bishounen (bolding of appalling fangirl Japanese-use mine)), has just woken up in Zanarkand at the beginning of Final Fantasy X, having been ~mysteriously transported~ into the game. Her reaction to this is essentially 'I've been sucked into the videogame I was playing? How peculiar. OH MAN I'D BETTER WARN DREAMY TIDUS ABOUT SIN.' (Come to think of it, I never did learn to write realistic reactions to clearly absurd events. But I like to think I'm at least a little better than 'Huh, I'm in Zanarkand. Wonder how that happened. Well, as I'm here, better go and warn a fictional character about the upcoming fictional disaster.')

Below the cut, you may see Riona's exceedingly smooth attempt at telling Tidus what is about to happen. I have made no changes to it, much though I'd like to.

In Which Riona Makes A Fool Of Herself. And Overuses Ellipses. And 'Almost Melts', Apparently. )

SMOOTH. What worries me is that I can actually see myself behaving like this today.

(This is by no means the worst thing in my fanfiction folder - it's not even the worst part of this fic; later on you'll find the line 'Agony beyond anything I have ever felt!' used completely seriously, exclamation mark and all - but it's the worst I can actually bring myself to show you. WHY THE CRUSH ON TIDUS, SERIOUSLY.)
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (you have got to be kidding)
I am so conflicted when I think about how Supernatural could potentially end. On the one hand, I cannot envision a good ending for the Winchesters; their story is so dark that I don't think it can ever end well. On the other, if they have a bad ending - if they die, or if they're separated in some way (augh) - I will cry for ever.

At heart, I want nothing but good things for the Winchesters. At the very least, I want something good to happen to them. And by that I mean actually good, not just 'seemingly good but actually full of dark implications and quite possibly causing slow death!' or 'good for half a second before everything goes horribly wrong!', Kripke. And all right, perhaps The Happy Fluffy Adventures of Dean and Sam Winchester wouldn't be quite as successful a series as Supernatural, but SERIOUSLY, WINCHESTERS, CAN'T ANYTHING NOT-HORRENDOUSLY-AWFUL HAPPEN TO YOU? EVER?

And I was probably going to say more on the subject of being absurdly attached to fictional characters, but I have just discovered the Final Fantasy X self-insert I wrote when I was fourteen and I have never been so embarrassed in my life, ashbgdfashgh. SERIOUSLY. THIS IS APPALLING. I was going to quote extracts so you could laugh at my fourteen-year-old self's general ineptitude and, er, inexplicablegiganticcrushonTidus, but I'm not sure I can bring myself to.

I DIDN'T EVEN TRY TO HIDE THE FACT THAT IT WAS A SELF-INSERT. IT WAS ABOUT A GIRL CALLED RIONA. SHE WAS TELEPORTED INTO THE GAME. IT CONTAINS THE SENTENCE 'WOW, HE WAS A BISHOUNEN'. SO MUCH SHAME. Not to mention the fact that it switches viewpoints by going ~Riona's View~. Oh, self.

(I take some solace in the fact that at least she's not SPARKLY PERFECT GIRL; Riona is hopeless at fighting and makes a fool of herself in front of pretty much everyone. I don't know whether that's because I was trying really hard not to make her a Mary Sue or just because I had low self-esteem when I was fourteen.)