rionaleonhart: top gear: the start button on a bugatti veyron. (going down tonight)
I wrote this short Severance primer for [community profile] tv_talk, but I thought I'd crosspost it here as well, in case anyone's wondering what this show I won't shut up about actually is. Sorry to anyone who's seeing this twice!


I've been having an incredible time watching Severance; it's the best new show I've seen in years, and a very strong candidate for my favourite show of all time. In case anyone's curious about whether they should watch it, here's a non-spoilery overview!




What is the concept of Severance?

Wouldn't it be great if you didn't have to remember work? If you got all the money and benefits without the actual experience of working? With Lumon's proprietary severance technology, that can be a reality.

When you're in the Lumon office, you won't remember anything from outside it, so you can focus completely on your work. When you leave at the end of the day, your memories of work will vanish. No more lying awake, obsessing over that project; your work can't intrude on your personal life when you don't even remember it. It's the perfect way to preserve the work-life balance.

Frequently asked questions:

Q: What am I actually doing at work?
A: That's the great thing: you'll never know!

Q: What's life like for the version of me in the office? The one who doesn't remember their free time or childhood or friends or family? The one who leaves the office at the end of the day and, from their perspective, steps straight back into it and has to get right back to work?
A: Look, don't worry about it. Your work self is doing just fine.

Can you boil the premise down to one sentence?

You don't remember what happens in the office, except when you're in the office, in which case you don't remember your life outside it.

Why is Severance worth watching?

If the basic concept sounds interesting to you, I would definitely recommend checking Severance out! I originally watched it because I thought the premise had interesting potential, and the show really delivers on that promise; it explores the concept in fascinating ways. It's a great series for anyone who enjoys themes of memory and identity.

I think the show strikes a great tonal balance, too. There's a lot of humour, and I find the characters likeable; it's fun to watch! But, at the same time, it knows how to get serious. It creates tension and suspense very effectively, and the lighter elements don't mean the hard-hitting moments hit any less hard.

It never feels to me like Severance is playing it safe. When it feels like there are a few different directions it could potentially take the story in, it'll choose the most interesting option and explore the fallout. I'm constantly fascinated to see what happens next.

Where can I watch Severance?

Severance is an Apple original and can be watched on the Apple TV+ streaming service; it's currently halfway through its second season, with episodes coming out weekly. If you don't have Apple TV, though, the first season is available on DVD and Blu-ray!

Wait, Severance and Succession are different shows?

I was surprised too!

Anything else I should know?

As a heads-up, Severance does occasionally explore some dark themes. If you have any specific questions about the content, or about any other aspect of Severance, feel free to ask in the comments!
rionaleonhart: top gear: the start button on a bugatti veyron. (going down tonight)
I know a few people following me are fellow fans of the original UK Taskmaster. If you need more Taskmaster in your life (and I certainly do), I cannot recommend the New Zealand version highly enough.

The Taskmaster NZ Taskmaster himself is no Greg Davies; the energy he brings to the show is more 'confused headteacher' than 'petty tyrant'. But my biggest concern about reproducing Taskmaster was that it would be impossible to fill the role of the Taskmaster's assistant. Alex Horne is so deeply, fascinatingly weird on Taskmaster, and so willing to do the most bizarre and humiliating things; surely nobody could replace him?

I'm pleased to report I was completely wrong. Paul Williams is absolutely perfect in Alex Horne's role; he sometimes feels more Alex than Alex does. The tasks are fantastic, too.

We've almost finished the second season of Taskmaster NZ, and I've loved every moment. Paul Williams had a fascinatingly weird dynamic with Angella Dravid in season one, and I was slightly worried that I'd miss it too much when Angella was no longer a contestant, but season two is also excellent. During the 'diss track' task, we had to pause so we could all lose it laughing for five minutes.

Riona: One significant difference between Alex Horne and NZ assistant Paul Williams is that Alex is a sexless being I struggle to ship with anyone, whereas I ship Paul with every single contestant.
Riona: It's not at all that Paul is sexy, but he has a very 'naïve young man on the verge of a sexual awakening' energy that makes me want everyone to kiss him.
RD: "teach the taskmaster's assistant how to kiss"
Riona: omg I have never wanted anything more
Riona: I'm thinking about this because I just watched the task 'take Paul on a first date, most romantic first date wins' and one of the contestants Lady-and-the-Tramp spaghetti-kissed him and it was magical.
RD: Okay that does sound good

I'm delighted that we gave the New Zealand version a chance! It's been a glorious bright spot in the stress of moving house. Malcolm in the Middle got us through packing, and Taskmaster NZ is now getting us through unpacking.

(Speaking of moving, Tem is now a member of our household! It's going to be so much easier to play weird games about murder together.)
rionaleonhart: top gear: the start button on a bugatti veyron. (going down tonight)
I haven't written a post flat-out advertising a canon in years, but I'm having so much fun with Taskmaster and I want everyone else to have fun as well!

I've really missed comedy. I had no idea how much I'd missed comedy. I hadn't watched any panel shows in years, and it never occurred to me that this was a void in my life. Yes, I had a great time in my passionate panel show fandom days, but I didn't feel I was suffering from any sort of comedy deficiency.

And then [archiveofourown.org profile] th_esaurus introduced me to Taskmaster.

And it turns out that laughter is great.

Taskmaster is a British panel/game show in which five celebrities compete in a series of ridiculous tasks. Their efforts are judged by Greg Davies, the Taskmaster.

So long as the contestants stay within the rules specified, they can use any tools available to complete the task. The tools available generally include Alex Horne, the Taskmaster's assistant. Horne is extremely unhelpful if you ask him to clarify the task, but will do just about anything you request.

This is perhaps the root of how astonishingly horny the fandom is. I'm not planning to get into Taskmaster RPF (I think my RPF days are behind me, although they made me some great friends!), but [archiveofourown.org profile] th_esaurus sent me the list of the ten most-used additional tags for Taskmaster works on AO3, and I'd never seen anything like it. In my experience, the most-used additional tag for any fandom on AO3 is almost invariably 'fluff'. For Taskmaster, 'fluff' is nowhere in sight; the most-used tag is 'dom/sub'. (Also in the top ten: 'humiliation', 'obedience', 'restraints' and 'painplay'.)

Anyway! I'm glad the fans are having fun, but I'm not into Taskmaster because it's erotic; I'm into Taskmaster because it is hilarious. I'm watching it with my household now, and we've had to pause episodes because we were all laughing too hard to keep going. It's proved particularly good to watch when we're upset; it's fun and engaging enough to be distracting, without demanding the level of focus that fiction does.

We started out on series twelve, and we've now jumped back to watch from the beginning, which is sort of fascinating. I'd expected to find the show had changed substantially over the course of its twelve series, but the format is almost exactly the same; the only major difference is that the present-day episodes are socially distanced, for obvious reasons. And I'd thought the 'Alex will do any bullshit you ask him to' aspect might take a few series to manifest - I'd envisioned that maybe one contestant would test the limits of what you can request after a while, and then others would pick up on that - but as early as episode two he's being forced to eat a hot toothpaste pie.

One interesting thing about Taskmaster is that each series focuses on a single group of contestants across five to ten episodes, so you have time to get to know the contestants and their approach to tasks, and they have time to get to know each other. Different groups can have very different dynamics. The series twelve team are very friendly and supportive with each other! The series one team are incredibly cutthroat.

Taskmaster is a Channel 4 show, and it's available on All 4, if you have access to that. If you're looking for something engaging and ridiculous, I recommend it! Series twelve involves Victoria Coren Mitchell, which is how [archiveofourown.org profile] th_esaurus managed to hook me in, and she's great on it. (Well, she's terrible, but in a great way.)
rionaleonhart: okami: amaterasu is startled. (NOT SO FAST)
Sometimes, when the screen goes dark between scenes in Attack on Titan, I catch sight of my reflection watching it.

I invariably look really distressed.

I've typed up some thoughts on Attack on Titan in the course of watching, but I can't post them because I don't want to spoil anyone! This isn't just a case of 'well, put it under a cut, then'; people who haven't watched it might still click on the cut! How am I supposed to stop them? I went in knowing nothing beyond the bare bones of the premise (it's an anime! there are giant monsters! they eat people! oh dear!) and the fact that it's a lot less cheerful than Free!, and it's an experience I highly recommend.

There are eighteen episodes currently available. I charged through the lot in about five days. I'd probably have finished faster if we hadn't suffered a power cut in the middle, and if there hadn't been a moment or two that hit me so hard I needed several hours to recover.

If you have the time and the inclination, give it a try! It's pretty depressing and occasionally bloody, I should warn you, so stay away if you think it might distress you, but it really is extremely worth watching. It's available legally here on Crunchyroll (in the UK, even! Legal anime websites are never available in the UK! If you're in neither the UK nor the US, I don't know whether you'll be able to watch it, but you can give it a shot). Try the first few episodes and see if it catches your interest.

I know I love a lot of terrible things, but Attack on Titan is genuinely excellent. And I repeat: you can watch it online, and it's completely free and completely legal. Although I can't guarantee that it won't make you watch the same Argos advertisement six times if you don't have an ad blocker. IT DOESN'T MATTER; ATTACK ON TITAN IS GREAT.

(If you'd like to know at least slightly more before you go in, [livejournal.com profile] futuresoon has made an informative post on Tumblr (which is actually what got me to start watching). She's also made a more detailed version of the same post on Livejournal, but I'd recommend using the Tumblr one to make your decision and only checking out the Livejournal one if you're still not sure; as I've said, the less you know, the better.)
rionaleonhart: final fantasy viii: found a draw point! no one can draw... (you're a terrible artist)
Ghost Trick: Phantom Detective for the Nintendo DS is definitely one of the better fivers I've spent. I was just expecting some fun puzzling; what I got was some really fun puzzling, endearing characters, great animation and a story that I'm actually quite engaged by. I have exclaimed 'WHAT IS GOING ON' multiple times at plot developments.

Ghost Trick has also introduced me to the campest character in the history of videogames and indeed of fiction in general and indeed of the universe. He is so camp that I cannot come up with a simile to adequately convey how camp he is. You might describe him as 'camp as a row of tents', but you would be wrong. John Barrowman is as camp as a row of tents. Rows of tents wiiiiish they were as camp as Inspector Cabanela, baby.

I really don't want to finish this game! The structure of the game dictates that it has to take place over one night, ending at dawn, and I'm already at four in the morning game-time, so there probably can't be much more of it. PLEASE LAST FOR EVER, GHOST TRICK, I'M HAVING SO MUCH FUN.

I don't know whether any of you have actually played Ghost Trick, but I encourage you to give it a go if you happen to own a DS!


Almost finished Revenant Wings! I think I need to raise my levels a bit before I can take down the final boss, though.

Before the final battle, Vaan starts going around and giving everyone individual pep talks. As he approaches Balthier, Balthier turns his back.

Vaan: Balthier, uh... thanks.
Fran: What's all this?
Balthier: I try not to ask questions I won't like the answer to.

I just love that Balthier and Fran completely refuse to engage in the 'BIG INSPIRATIONAL SPEECH BEFORE THE FINAL BOSS' Final Fantasy tradition. You guys are my favourites.


As I appear to be in rather a DS-gaming mood at the moment: has anyone played The World Ends With You? What did you think of it? I've been wondering whether I should pick it up, but it seems so pricey. And are there any other DS games you'd recommend?
rionaleonhart: top gear: the start button on a bugatti veyron. (going down tonight)
Back in 2010, I attempted a self-imposed challenge: alphabet ficsnippets (A to M, M to Z). The idea was that the first snippet concerned one character whose name began with A and one whose name began with B, the second a B and a C, the third a C and a D and so on. As I had so much fun with them, I thought I'd attempt another type of alphabet challenge: snippets for each letter of the alphabet, each concerning two characters whose names begin with that letter.

As my snippets seem to be a bit longer this time, I'm probably going to post these in more than two instalments. This entry contains six: A, L, M, O, P and X, because I don't have the discipline to write them in alphabetical order. Also, I cheat outrageously in the very first ficlet by never actually having one of the characters appear or indeed be mentioned.

Fandoms represented in here are Glee, Final Fantasy XIII, The Mentalist, Death Note, Mulan, Red Dead Redemption, Dangan Ronpa, Phineas and Ferb, Kingdom Hearts and X-Men: First Class. Enjoy!


Same-letter alphabet ficsnippets: A, L, M, O, P, X. )


And that's all for the moment!

The fabulously-named Dangan Ronpa: Academy of Hope and High School Students of Despair, if you're curious, is a game about a group of students who have been trapped in a prestigious school; the only way to escape is to kill someone without anyone else finding out you did it. It's never been released in English, but it's being translated with screenshots over here; there are links to the entire story so far in the first post. If you're anything like me, you will become super high-school level attached to almost every character and then get really distressed both when murders are committed and when you realise who the murderer is. I read through the second chapter yesterday and ended up all teary.

(EDIT: Should probably mention that the Let's Play link leads to the Something Awful forums, which have a rather idiosyncratic profanity filter. For 'gently caress', read 'fuck'; for 'poo poo', read 'shit'. I think 'fucking' becomes 'loving' as well. Mondo Oowada's speech becomes very weird if you're not aware of this. (Mondo, incidentally, is my favourite and I love him.))

I actually started reading Dangan Ronpa because someone said that Touko Fukawa, the 'Super High-school Level Literary Girl', was me. This was, I have come to realise, rather an uncharitable thing to say.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (oh no no no)
I wept madly throughout the entire latest episode of My Little Pony: Friendship is Magic ('Luna Eclipsed'), and I'm not even sure why. Princess Luna! I love her, and I now feel really bad for having killed her off pre-story in the Merlin crossover AU I may possibly be writing. Sorry, Luna, but something had to turn Celestia against magic.

(I can't work out what to do with Pinkie Pie in this Merlin AU at all. I've already cast Uther, Merlin, Arthur, Morgana, Gwen, Gaius and the Unhelpful Dragon; what role can Pinkie Pie take? Some sort of town crier? Court jester? I suppose she could be a knight. Or I suppose I could leave her out altogether, but that just doesn't seem right somehow. A universe without all six of the central ponies is clearly the wrong universe.

Incidentally, this is the best idea for a crossover I've ever had, even if I have rather embarrassed myself with gratuitous usage of 'maneservant' puns. It also contains a lot more Rarity than I would have expected myself to write, actually, and I'm having a lot of fun with her. I've become very fond of Rarity recently; I've never disliked her, but I don't think I appreciated before how hilarious she was, and I'm intrigued by the way she manages to be rather self-absorbed but still essentially good-hearted.)

I really would highly recommend giving Friendship is Magic a try. It's a really joyful, uncynical, funny and heartwarming cartoon. Its cast of characters is so delightful that, if you asked me my favourite, I'd have to give you half the central group (Fluttershy! Applejack! Twilight Sparkle! I don't know! And, as my Rarity icon demonstrates, I still totally love the ponies in the other half of the group). Its messages are a bit dubious at times, but it is so fun and so charming that I can look past the occasional 'if you don't like your friend hanging out with her old friend, it's because her old friend is evil and out to get you' moral. Plus, if you feel television doesn't have enough varied female characters interacting with each other, Friendship is Magic contains almost nothing but.

Oh also there are occasional terrifying episodes in which ponies have complete mental breakdowns. BUT OTHERWISE IT'S FILLED WITH JOY.

(Speaking of terror: I was innocently reading the newspaper last night and came across an advert for The Assassin on 4oD, consisting of a picture of Derren and a group of other people staring straight at you with the mouths of mannequins. I did not appreciate that, Derren Brown.

But I think I have to forgive him, because I just came across this amazing video in which he causes a spider to levitate. Truly a remarkable man.)
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (open the way)
Wow, Red Dead Redemption. I've played quite a few good-looking videogames, but I have to say this is the first time I've sat quietly in front of the screen, not touching the controller at all, and watched a virtual sunset for ten minutes.

And there's so much to do in this game! You can play Texas Hold'em poker with NPCs! Not only that, but there is an in-built cheating system that allows you to hide a card up your sleeve if you're wearing the right clothes for it. Not only that, but if you fail the cheating minigame you will be caught cheating and challenged to a duel.

They built in the ability to cheat at cards. That's attention to detail. Yes, there are elements that make the world feel slightly less real (the same guy keeps trying to murder the same prostitute in the same place no matter how many times I kill him, what the hell, he must have done this four times by now), but on the whole the game does a fantastic job of creating a world that feels vast and alive and dangerous and beautiful.

I'm not a big fan of the last part of the 'American Appetites' stranger mission, the one with the missing people up by Hanging Rock. Look, Red Dead Redemption: I am the least observant person in the world, and I could still work out that the terrified, unarmed man pleading with me not to take him back probably wasn't the culprit. It all ended well, if you ignore the part where I shot an innocent man in the leg to slow him down so I could hogtie him and nearly get him killed, but I was forced to make an incredibly bad decision before I was able to do the right thing, which - as I could quite easily see that it was an incredibly bad decision - bothered me a bit.

...and I just spoiled myself for the game's ending whilst trying to find out whether there's a way to complete that mission that doesn't require being an idiot. Blast! I really need to stop reading YouTube comments; my life is never any better afterwards than it was before.

I became very attached to the horse Bonnie gave me at the beginning of the game, and then I got another after the horsebreaking mission and I was quite distressed! The Kentucky Saddler and I are becoming good friends now, though. The horse-switch inspired me to look up horse breeds on the Red Dead Redemption wiki (yes, I'll concede that I am wandering into very dangerous territory if I don't want to be spoiled), where I found the following line on the Infested Ardennais: 'When riding this horse, the player will not look as visually pleasurable as some of the other horses offer.' This amused me immensely. 'Just so you know, you're going to spend an awful lot of this game looking at a horse's arse, so you might want to invest in a more attractively-arsed horse.'

Regarding the actual storyline: I really like Bonnie MacFarlane! I almost 'ship her and Marston, but it's difficult to when Marston is so obviously devoted to his wife. Regardless of that devotion, I'm filing 'addressing Bonnie as "Miss MacFarlane"' next to 'expertly tying people up' in Things John Marston Does That I Find Strangely Attractive.

This entry may have fairly limited appeal (number of people on my flist who have, to my knowledge, played Red Dead Redemption: two), so here, for the rest of you, is a video of a very brave kitten.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (staring into your soul)
Since James McAvoy became fandom's new favourite person, I have been hoping for more people to watch his Macbeth, but most people still don't seem to be aware of its existence. This is, I feel, a great shame, and so it's time for some advertising.

Dear everyone: do you like James McAvoy? Would you like to watch more things in which James McAvoy has a central role?




If you have not seen it already, I would like to suggest that you contrive to watch the BBC's ShakespeaRe-Told modern adaptation of Macbeth from 2005. This contains, amongst other things:

- James McAvoy being shirtless
- James McAvoy being homoerotic
- James McAvoy using his natural Scottish accent
- James McAvoy singing
- James McAvoy kissing people
- James McAvoy hovering on the verge of tears
- James McAvoy having a guilty paranoid trembling breakdown

I am almost certain that there's a demand for this. It's not perfect (some aspects of the play have become a bit odd in transition; Lady Macbeth's 'I would literally kill a baby for you' speech, for example, has been changed in a way that rather strips it of its relevance), but it is tragic and fascinating and brilliantly distressing to watch. All your 'James McAvoy completely falling apart' needs catered to! (I should add that I had no idea who James McAvoy was when I first watched this back in 2005 (nor Keeley Hawes and Richard Armitage, who also appear), so I went in without actor-bias and still really loved it.)

So, yes, everyone go and watch this adaptation. It's only ninety minutes long. There's a good-quality version on YouTube starting here; if you enjoy it and/or are interested in any of the other ShakespeaRe-Told adaptations (Midsummer Night's Dream, Much Ado About Nothing and Taming of the Shrew), all four are available for £4.50 on the UK Amazon.

(Subsequently writing vast amounts of Macbeth/Banquo is optional but recommended.)

(No, seriously, the only works of fanfiction in the world for this adaptation are forty-one tiny ficlets, all written by me when I was seventeen. This makes me really sad.)

(EDIT: !!!! [livejournal.com profile] th_esaurus HAS WRITTEN A FICLET IN THE COMMENTS BECAUSE SHE'S AMAZING)
rionaleonhart: final fantasy versus xiii: a young woman at night, her back to you, the moon high above. (nor women neither)
My brothers have been having a Prison Break marathon recently, and I've been wandering in to watch an episode or two here and there. I'd forgotten how incredibly compelling it is. And how distressing.

I had also forgotten how absolutely crazy the sexual tension is between Scofield and Mahone in the third series. It is nuts. Mahone always looks about half a second away from making out with whoever he's talking to anyway, but particularly so when it's Scofield.

I've been trying to find a clip with which to illustrate this crazy sexual tension for you, but alas I am having difficulty doing so. What I have found, however, is a pretty great Mahone/Scofield fanvid (by [livejournal.com profile] sdwolfpup). If you haven't watched Prison Break, you may think 'oh, well, clearly it's manipulative editing making it look as if Mahone has some sort of weird desperate obsession with Scofield'; let me assure you that no manipulative editing is necessary. THEY WERE KISMESES BEFORE HOMESTUCK MADE IT COOL.

The entire fanvid is worth watching - it does a fantastic job of portraying the progression of their dynamic - but if you're short on time and primarily interested in the aforementioned crazy-sexual-tension-filled series three, when Mahone is shaking and sweating and barely holding onto his last threads of sanity and occasionally slams a shank into the wall next to Scofield's head and breathes threats into his neck, you can skip to the three-minute mark. The first half, meanwhile, will appeal to those of you who like to watch besuited secret agents obsessively trying to track down their prey. Something for everyone! (Disclaimer: this may not cover the tastes of literally everyone.)

I should explain that homoeroticism is not the sole or even the primary reason to watch Prison Break. As I've mentioned, the storyline is incredibly compelling. What happens next? You have to know! And it centres on a do-anything-to-save-you brotherly relationship (come on, Supernatural fans, take the bait), and it has fantastic characters (I love Scofield and Sara and Sucre and Westmoreland and Tweener and C-Note and Mahone and the Pope; I can't say I love T-Bag, exactly, but I'm fascinated by him), and when they're in danger you care, because... well, are you tired of seeing main characters in seemingly life-threatening situations and knowing there's no real suspense because there's no chance that they'll actually be written off? It happens frequently in Merlin. Well, Prison Break kills off its main cast like nothing I've ever watched. When things go wrong, you're not thinking 'how do they get out of this one?'; you're thinking 'oh God oh God I really hope they get out of this one.'

(I would just like to reiterate how much I love Sucre. You know why he's in prison? He didn't have the money to take his girlfriend to a nice restaurant, so he held up a liquor store with a gun. The owner offered him the contents of the till. Sucre looked a bit embarrassed, took a single hundred-dollar bill and said, 'Actually, this is all I need. ...sorry.' He is the most adorable armed robber ever.)

And it will make you sympathise with everyone. You will be appalled by a character's actions, and a season later you will desperately want them to succeed. You will alternate between cheering T-Bag on and hating yourself for it because T-Bag is the worst person in the entire universe.

But also there's the homoeroticism. I'm not above tempting you to watch things by pointing to the homoeroticism. Have you watched that fanvid yet? Perhaps you should.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (hope is all we have)
Having watched the Mentalist episodes 'Red Gold' and 'Red Queen', I find myself 'shipping Jane/Hightower really quite a lot. This is excellent news, because it means that Hightower is definitely the right person for her job. If Jane doesn't fall in love with you, you shouldn't be in the CBI.

I wish Jane had shown more remorse for getting Lisbon injured in 'Red Gold', though. He gave a weird little smile just post-injury that made me think 'wait, is getting Lisbon's ankle sprained part of a Patrick Jane Plan? Really? Really?', but it seems not. And thank goodness for that, because, whilst Patrick Jane can be hell to work with, I think that physically injuring the people he loves and works with would be going a bit far. (Well, all right, I suppose it's actually going a bit less far than he did in 'Code Red', but physical injury would be going too far in a way that I'm not sure I can entirely believe of Patrick Jane.)

The part of 'Red Gold' that made me crack up laughing:

Jane: Maybe he died of happiness. Too much natural beauty; it's the Stendhal syndrome.
Sheriff: No. He was shot in the head.



RAMBLING FANDOM REC TIME: I know some people on my flist are keeping an eye out for television programmes with a significant female presence, and I have to suggest giving The Mentalist a try. Jane himself is male, yes, but his life is essentially defined by women; there's a very strong sense of the feminine about the show (and not only because the main character is called Jane). Also, Lisbon and Van Pelt and Hightower are all fabulous characters and I love them.

In fact, here is an incomplete list of Reasons To Watch The Mentalist:

- The main character, Patrick Jane. I occasionally wonder who my ten favourite fictional characters would be; I can never come up with a definitive list, but I can name a few who would definitely be in there, and one of them is Jane. He's tactile and adorable and silly and not at all an action guy (he's freaked out by guns and gets worn out after running for about three seconds, which I find quite endearing) and charmingly infuriating and he has the darkest of dark sides. And sometimes he gets hugged, which I love, and sometimes he gets punched in the face, which I also love, because he needs so many hugs and so much punching.

- The entire central cast are great, in fact. I know that the fact that I love them all won't necessarily mean you will, but there it is. It was very weird to realise that Cho was only my fourth favourite character, and I love Cho.

- It has ladies who are badass and gun-toting and ass-kicking, but their characterisation doesn't centre on their asskickingness; it's just another aspect. And they save the male main character's life approximately ten times more often than he saves theirs, which makes a pleasant change from much fiction.

- Patrick Jane can be 'shipped with pretty much anyone. I personally am massively invested in my belief that he is in love with Lisbon, Van Pelt, Cho, Rigsby and Hightower simultaneously, but, on account of his bucketloads of issues, refuses to admit it to himself or to take it beyond flirting. Whilst this asexual polyamorous arrangement is probably not canonically intended, alas, canon has been obliging enough not to contradict it thus far. It is a totally, totally possible interpretation and I love it. Even if you don't take it quite as far as my personal canon, Jane's relationship with the team is delightful.

Okay, yes, all of my Reasons To Watch The Mentalist are character- rather than plot-related. At its heart, The Mentalist is a fairly standard episodic crime drama and suffers from a reluctance to take risks; I watch it primarily because I adore the characters, rather than to find out what happens next. If you're looking for something with a strong storyline, then, The Mentalist might not satisfy your needs; if your enjoyment of television tends to be more based in character, however, I put Lisbon and her team forward for your consideration.

Just because, one of my favourite scenes between Jane and Lisbon:


Lisbon: You wanna drive?
Jane: Ah, that's a very sweet offer. Do I really seem so sad?
Lisbon: What? I was just asking if you wanted to drive.
Jane: You don't like it when I drive. You despise it.
Lisbon: You drive way too fast!
Jane: I drive just fast enough. You hate not being the one in control, and yet you're willing to overcome your irrational fears to cheer me up. (grinning) That's a beautiful thing, Lisbon. Thank you; I'd love to drive.
Lisbon: Never mind. (starts the car)


I love them so much. ♥
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (waiting for you (anniesj))
I was going to make a poll, but then I realised that I might not have enough Homestuck readers on my flist to make it worthwhile, so instead I'm just going to ask: do you have a favourite Homestuck troll? If so, does your favourite correspond to the sign of the zodiac under which you were born? I ask because I'm a Cancerian and my favourite is Karkat, so I'm wondering whether a bias towards the troll that represents one's own sign is common. It may well just be coincidental; Karkat is probably the most visible of the trolls, after all.

OR, WAIT: perhaps Karkat only represents Cancer when I am looking at the computer screen. Or perhaps he's only the most significant troll when I'm looking at the computer screen! PERHAPS PISCEAN READERS EXPERIENCE AN ENTIRELY DIFFERENT STORY WITH MUCH MORE FEFERI.

(If you're curious about Homestuck, which is a sort of text adventure/sprite-based game parody webcomic with a great cast of characters, you can find the beginning here. I should warn you, though, that it is really, really long (well over 2,500 pages and 150,000 words, and it's still going) and really, really convoluted. Also, at the beginning it takes many suggestions for actions from readers, meaning that the story moves quite slowly; later on, actions tend to be more inclined towards advancing the plot.)


Regarding Glee episode 2.05: stop doing themed episodes, Glee. Come up with the plot of the episode first, then choose the songs to fit it; don't decide on the songs you're going to use and then find a flimsy framing device.

Whilst I'm making demands, Kurt and Sam should make out. (Look, it's at least a more realistic request than Kurt and Josh, who, although he has the advantage of a compatible sexuality, goes to a different school in a different country in a different programme.)


TERRIBLE IDEA: Glee/Homestuck crossover.

CG:   WHAT THE HELL, NO.
CG:   I CAN'T EVEN EXPRESS HOW NOT HAPPENING THAT IS.

AC:   :33 < oh cmon karcat itll be fun!
AC:   :33 < i bet you have a purrfect singing voice!

CG:   WE ARE NOT EVEN HAVING THIS CONVERSATION.

(Er, that was meant to be a potential snippet from such a crossover, rather than Karkat and Nepeta's reactions to my suggestion, but I suppose it works as either.)


Finally, here is a ten-second clip of Catherine Tate and David Tennant that makes me crack up for reasons I can't fully explain. (I may not have been a fan of his Doctor, but from what I've seen of him I'm quite fond of David Tennant as a person.)
rionaleonhart: kingdom hearts: riku, blindfolded and smiling slightly. (we'll be the darkness)
I have finished the first series of Phineas and Ferb! And you should all watch it as well, because, guys, this cartoon is really good. The bizarrely amicable struggles of Perry and Dr Doofenshmirtz in particular are a constant delight. I love 'we may be enemies, but that doesn't mean we dislike each other' dynamics.

I also love that Phineas and Ferb never takes itself too seriously. Even in the 'Candace realises she loves her siblings really' song, what could have been entirely sincere is tempered by the hilariously literal lyrics:

You will always be my
Little brothers
'Cause you're younger
We're related
And you're boys


Other favourite lyrics: 'It only took a magic portal to Mars to give me some self-worth' and 'Just the two of us, in an oesophagus' (I love how ridiculously specific Phineas and Ferb songs can be. That song can only apply to the situation of 'going through someone's digestive system in a miniature submarine'. This one applies to the situation of 'dancing wildly because there are squirrels in your jeans'). Plus there's Busted, which is just incredibly catchy.


I stayed the night at [livejournal.com profile] th_esaurus's house recently! We discussed the concept of the King of All Cosmos as a private detective (worst idea ever, someone please write it) and of Wallace of Scott Pilgrim vs. the World going out with Nega Scott, rather to Scott's perturbation (better idea, someone write this as well). Also, whilst poking around fanfiction.net, we stumbled across what is possibly my favourite fanfiction line ever written (the 'I' in question is female):

"Oh god Joe!" I moaned out as he released inside of me. "you are not gay!"

Plus I spent a few hours yesterday with the lovely [livejournal.com profile] faeries_bite and [livejournal.com profile] mychickadee. [livejournal.com profile] faeries_bite wasn't feeling very well, sadly, but she was still able to help form the idea that is going to make my fortune: Parcelville, a theme park based on the Royal Mail. None of the rides end up where you're expecting them to go, and you can't buy a ticket at the gate; you have to go a couple of miles away. The most expensive tickets will allow you to go on the rides within a day or so, if you're lucky. I expect to see you all there at the grand opening.


Seriously, do give Phineas and Ferb a try. The only complaint I have is that Candace's screaming can begin to grate after a while, but it's got great characters and great songs and it's genuinely clever and funny. Even its formulaic nature works in its favour, because after it's established a pattern of expectation it begins to subvert and play with it in all sorts of interesting ways. It's great fun to watch, and I very much recommend it.
rionaleonhart: revolutionary girl utena: utena has fallen asleep on her schoolwork. (sort of exhausted really)
I would like to talk about something potentially controversial: Katawa Shoujo.

Katawa Shoujo is a free dating-sim type visual novel, in which all the potential love interests have some sort of physical disability: deafness, blindness, heavy burn scarring, prosthetic legs, no arms. I heard the concept and thought 'well, this sounds like the most horrendously creepy and fetishistic game ever made'.

And then I played the demo.

And it wasn't.

I've only played the first act, as that's all that has been released so far, but my overall impression is that it's a really charming, well-made, well-written game. The main character, Hisao, discovers that he has a congenital heart condition and is transferred to a school with specialist facilities for disabled students; there, he has to come to terms with his attitude towards his own disability and towards those of others. The people he meets are thought-out, interesting characters, rather than simply being reduced to their physical qualities. Rin, for example, is blunt, sarcastic, scatterbrained, creative, an artist and a daydreamer; the fact that she has no arms isn't ignored, but it's not what defines her.

I think Hanako and Lilly are my favourites so far. Hanako's extreme timidity reminds me of myself when I was at school; her path was the first I went down, because I wanted to try to help her increase her confidence in the way in which my friends helped me. Lilly is just so friendly and calm and caring, and she somehow manages it without being cloying. I'm really intrigued by the friendship they have with each other, too. (That's another way in which Katawa Shoujo surprised me; I've never played a dating sim before, so I thought all the potential love interest characters might be depicted as RIVALS FOR YOUR LOVE or at best never meet each other, but, whilst they don't all get along with each other, there are actually strong and sometimes touching friendships between them.)

The game so far is essentially Hisao meeting and developing friendships with the potential love interests, depending on the choices you make (if you haven't played a visual novel before (this is my first), it's essentially a Choose Your Own Adventure story with images). The developers have confirmed that there will be sex scenes in the final product, but they have also said that there will be an option not to see them. The fact that they believe it will stand without the sex scenes seems to me to be clear evidence that they're setting out to tell a story, not just to create masturbatory material, and I'd say the fact that I didn't set out in search of masturbatory material and still found myself engrossed is clear evidence that they succeeded. I'm very much enjoying the story they're telling so far.

I suppose what I am saying is 'I misjudged you, Katawa Shoujo team', and also that I highly recommend the first act. You can download it (for Windows, Mac or Linux) here.
rionaleonhart: final fantasy versus xiii: a young woman at night, her back to you, the moon high above. (nor women neither)
Guys, I would like to introduce you to two characters I adore. I have never played Left 4 Dead, but [livejournal.com profile] zarla (whose work, incidentally, was the reason I first started writing fanfiction a decade ago) has created a couple of OCs for it, and I love them. I love them. I want them to have a huge fandom.

All you really need to know: Left 4 Dead is a zombie apocalypse videogame. The zombification spreads via infection; some are immune. Two types of zombie are the Hunter and the Smoker, both male in the game. [livejournal.com profile] zarla has created hypothetical female versions of them.

They are wonderful. They (pre-infection, obviously) have one of those lovely 'we mock each other all the time but deep down we love each other fiercely' friendships, which exist between female characters in fiction far too rarely; it reminds me a bit of the relationship I have with my housemate, actually. I find their well-concealed affection and loyalty very touching. Smoker is reserved and sardonic and a bit old-fashioned and Hunter is energetic and adorable, and there is a constant heartbreaking thread running through their interactions, because you as the reader know what their eventual fates will be.

Here are some of [livejournal.com profile] zarla's entries filled with sketches and comics of them:

one - including their first meeting, how they became infected, Hunter gatecrashing Smoker's dinner.
two - ADORABILITY IN ALL ITS FORMS. Refusal to acknowledge affection! Embarrassing taste in music! A bit of Hunter/Smoker! Also, the beginnings of a comic about the day Hunter is bitten; Smoker's worry and the way it expresses itself in disjointed rambling break my heart.
three - in colour, in different outfits, in an AU in which they survive, playing backseat Tetris, defending each other.

I don't typically seek original characters out in fandom, but of course every fictional character we love is someone's OC, and I've always found [livejournal.com profile] zarla's creations incredibly compelling. The fact that these two are not from a published work and therefore unlikely to develop a massive fandom genuinely makes me quite sad, because I love them no less than I do many characters I adore from videogames or television. Do check them out.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (oh very well)
My journal, of course, is usually full of rambling adoration of fictional works and characters, but there is occasionally call for a 'Riona rambles adoringly about a public figure' entry, and this is one of those times.

The reason for this is that, oh, dear, I appear to have fallen slightly in love with David Mitchell. I've had a certain fondness for him for a while, but... he is awkward and nervous! He refuses to dance! He owns only two CDs!

Now, David Mitchell is a tricky chap to avoid if you're British and have any interest whatsoever in current comedy, but I can't imagine he's terribly well-known outside these fair isles, so! David Mitchell is an actor and comedian; he plays Mark Corrigan on Peep Show, the subject of my ill-advised fic of a couple of days ago. He appears to be on every single comedy panel show all the time, but I can forgive him because he is wonderful. He is intelligent and eloquent, which is a combination I always find hard to resist, and he has an ability when provoked to launch into spontaneous lengthy rants that rival those of Dr Cox, which is particularly impressive when you realise that Mitchell's speeches aren't scripted ('WHAT SORT OF A MENAGERIE DO YOU IMAGINE I WOULD BE IMAGINING?').

I think part of the reason he appeals to me so much is the fact that he is such a strong character. The public figures for whom I develop a fondness tend to be ones with very clear voices and a strong sense of personality. I love that when David Mitchell claims, on an 'is he telling the truth or not?' panel game, that he wrote to Play School at the age of five to suggest how the BBC should resolve their union conflict, you can think, 'yes, that does sound like something he would do' (and he was telling the truth, by the way). I love that the background on his mobile phone is of his beige living-room carpet. These facts make him sound like the most boring person in the world when typed out, but there is something terribly endearing about them, and he really is a very good comedian.

David Mitchell has a slightly less visible comedy partner, Robert Webb. I am, I have to confess, a tiiiiiny bit of a tinhat when it comes to them. I try so hard to be sane about my real-person pairings, but I have to confess that, should David Mitchell come out, I would be more surprised by his having the confidence than by the sexuality revelation, and my surprise would be little increased should it further transpire that his seven years and counting of being single are due to his repressed and tragically unrequited love for Robert Webb.

I have exactly no evidence for this. This frustrates me. I do not like being an insane tinhatter! It is simply something that I find inexplicably difficult not to believe. Possibly the fact that Mitchell occasionally denies it without accusation (5.10 for talking about Webb on the latter clip, but if you watch from 3.10 there's a lovely bit in which he talks about pretending to be the Doctor as a child) doesn't help.


(retrospective edit: here in the future, I am much more sane and really quite embarrassed about having been so inappropriate here. Sorry, chaps.)

Ahem! My inappropriate speculation aside, I genuinely admire David Mitchell for some of the things he says, which isn't something I feel about many comedians. He doesn't shy away from challenging his fellow comics when they've said something unacceptable:

Angus Deayton: (on Ann Widdecombe) The slight flaw in that programme is the message that if you work really hard you can end up like an insane woman with lopsided tits and a crash-helmet hairdo.
David Mitchell: I would sort of like to say, in defence of Ann Widdecombe, that the thing that's bad about her is all of her horrible views, not the fact that she's ugly. Is that the best thing we can say about this woman who voted against gay rights and horribly wanted to get into power and make us do horrible things, this evil person, and the only thing we can find to say about her is she doesn't look great? It is a bit like insulting Hitler because you don't like his moustache length, isn't it? (Would I Lie to You?, series two, episode one)

In addition to that, one of the things I love most about David Mitchell is that he is intelligent and admired and yet also rather nervous and insecure and socially handicapped. There's something rather reassuring about seeing a successful person on television who has many of my issues with interacting with the world. David Mitchell proves that it is perfectly possible to agonise over one's behaviour and still be awesome.

Jonathan Ross: Your entire record collection consists of the tracks that we put on when we want people to leave at the end of the party. That's all you've got.
David Mitchell: I think basically, deep down, I want myself to leave.
Audience: Awww. (The Big Fat Quiz of the Year 2009)

It is seven years since [Mitchell] was in a relationship, he says. "And I think I would like to, really. But I don't know how to go about that. The problem is I hate the sort of dating thing. I just ... I just find it incredibly awkward. So what I've ended up doing is a bit of a disaster, not really embracing that in the normal way but very occasionally, very pissedly getting off with someone. And the next day it's oh no! What have I done? Because, inevitably, it's been someone who, nice though they are, I know I don't want a relationship with. And then I feel bad in case they have a different view. I don't want to be arrogant enough to infer that, but it's a possibility. I just feel bad, I feel why did I do that?" (source)

Oh, my goodness, he is so cute. (And, I notice upon re-reading this interview, so avoidant of gender-specific pronouns. DAVID MITCHELL, YOU HAVE ONLY YOURSELF TO BLAME FOR MY TINHATTERY IF YOU ARE GOING TO MAKE ME SUBCONSCIOUSLY THINK YOU ARE GAY THROUGH YOUR LANGUAGE USE.) I'd give him a hug if he were within hugging distance. Also, er, if I could be certain that my hugging him wouldn't scare him half to death.

So, erm, yes, I think David Mitchell is pretty awesome. I don't think he's one of the people about whom I will be making a million and three entries, but I thought he deserved at least one. I like you, David Mitchell, and if you would like to continue being on everything on television I would thoroughly approve.
rionaleonhart: final fantasy versus xiii: a young woman at night, her back to you, the moon high above. (nor women neither)
I forgot to mention in my last entry that I would like to see Merlin meet the supernatural trio of Being Human! They can all be misfits together. Mitchell and/or George might resent him a little at first, because amazing magical abilities are not really the worst possible thing with which to be cursed, but eventually they would all come to love each other.

Also, I watched the pilot episode yesterday. Not-really-spoilery notes:

- I like Pilot!Mitchell and Annie quite a lot, but I think I prefer the Mitchell and Annie from the actual series. Perhaps because the ones from the actual series were the first ones I met; perhaps because I know not to get too attached to the actors in the pilot. (Actually, I like the pilot actors an enormous amount. It is a very good thing that I also enormously love the actors from the actual series.)

- It took a second watching for me to notice that there is an entire scene in which Mitchell and George are hanging out and chatting whilst George is wearing exactly no clothes. My powers of observation are fearsome.

- THAT SCENE WITH THE ESTATE AGENT. AND THEN THE THRESHOLD. OH, MITCHELL. YOU ARE MAGNIFICENT.

- I laughed so hard at 'It's like my body is made out of diamonds'. Someone's been reading Twilight.

- MITCHELL AND GEORGE AND ANNIE SIT AROUND AND DISCUSS WHICH HOGWARTS HOUSES THEY WOULD BE IN.

I WANT TO BE THEIR FRIEND.

Do they also discuss what Pokémon they would have? Well, I'm certainly going to.

The obvious thing to say would be that Annie has a Ghost-type, Mitchell has a Dark-type and George has something wolfish. Actually, George would probably go for the most unwolflike Pokémon he could find, given that he is not terribly happy about his condition. Something like a Pichu. Mitchell and Annie would mock him a lot for it.

George keeps catching sight of what looks like a Mightyena out of the corner of his eye. It is slowly driving him mad.

OH, WAIT: perhaps Mitchell has a Mightyena. George would throw a fit.

Actually, I think the Pokémon for Mitchell might be a Houndoom. Which, whilst not as wolflike as Mightyena, is probably still wolflike enough to make George terribly uncomfortable. Sorry, George; you're probably not going to like Mitchell's Pokémon, whatever I eventually decide to give him.

Annie is difficult, though, because no Ghost Pokémon really seems to fit her. Shuppet, whilst terribly cute in appearance, feeds on feelings of envy and malice and vengefulness, which doesn't strike me as very Annie-ish. (I like to think that the house has Shuppet infestations when one of the trio is in a particularly dark mood, however.)

Perhaps Annie can't catch Pokémon! In the tower in Lavender Town, after all, the Pokémon on the player's team are terrified of the ghosts. Perhaps they all run away from her. She is quite upset by this. Mitchell takes it upon himself to train an Eevee not to be afraid of her, and ropes George into it as well. Bless them.


Actually, as the pilot is not available on the Being Human DVD, I can link you to it with no guilt whatsoever! You can watch it here on YouTube. If you have not yet seen any Being Human, give it a try! (I should mention that Mitchell and Annie were recast for the actual series, so try not to fall too in love with the actors in the pilot. Feel free to fall in love with the characters, though!)

Seriously: watch it. It is right there. It is a drama-with-humour about a vampire, a werewolf and a ghost who share a house. I'm sure some of you will be tempted.
rionaleonhart: kingdom hearts: sora, riku and kairi having a friendly chat. (and they returned home)
Oh, my goodness, and he can write. I'm not sure exactly what I was expecting from Tricks of the Mind, but I am fairly sure that I did not expect to open it and suddenly find myself a hundred pages in, having memorised the names of all of Shakespeare's plays in chronological order and enjoyed every moment of it.

Other things I have learnt from this book: a technique for remembering names (I am so bad with names, so this is wonderful), a technique for remembering lists of words or information, a technique for remembering numbers (the example number was 876498474505773498724, and I didn't just have to look that up) and how to apply it to cards in a deck or football scores, quite a bit about hypnosis, a couple of tricks and, as I have said, the fact that Derren Brown can really write. He is humorous and articulate and so intelligent, and much of the book reads like a comfortable chat in his living room, and I just wish it were five times longer. Had I not already fallen for him to a fairly embarrassing degree, his writing style would have won me over.

Oh, dear, I'm such a fangirl.

If I ever meet Derren Brown, I am going to tell him that I believe all books should be written by him. Or possibly I am just going to yelp and run away. We'll have to see how it goes.

To be honest, I always expect a certain gap in quality between a fandom-related book and a good non-fandom one, and I expect my love of the fandom to have to fill in that gap. Tricks of the Mind, I believe, would be a bloody good book even had I never heard of this Derren chap before, and I recommend it enthusiastically to anyone with an interest in the mind, magic, hypnosis, memory improvement, sentences like 'Allow me, my beautiful but ill-informed bitches, to explain', or entertaining and interesting non-fiction in general. I can confidently say that I have never enjoyed a work of non-fiction more.

(The memory techniques are so much fun that I keep wanting to find things to remember. I am not even kidding.)


In other Derren Brown-related news, I have decided that the Jo Whiley segment in the second series of Trick of the Mind (tragically, I have been unable to find it online) may possibly be my favourite clip from anything he's done. The trick itself, although impressive, is not as remarkable as many of the things he does, but that is more than made up for by the fact that Jo slaps him four times (I rewound to rewatch this more times than I'd care to admit), then asks whether she can slap him again and comments that she 'always thought Derren was quite kinky'. And then he asks for a kiss. And it's basically the best thing ever.

Also, the zombie game segment is terrifying, largely because Derren sends a guy to sleep without even being in the room and then gets the guy's friends to help kidnap him. If I ever fall unexpectedly unconscious whilst in your company, I hope you will not help some random man bundle me onto a wheeled bed and take me to a seemingly deserted building. Well, maybe if it's Derren Brown. But I'll be (unconsciously) expecting you at least to ask him some questions.


The fact that so many of you are discovering Derren Brown as I do is making me absurdly happy. It's always nice when I get into a fandom I can easily communicate to you through web clips and the like. SHARE IN MY JOY. MY FEAR AND MY JOY.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (WILSON WROTE THIS)
Stolen from [livejournal.com profile] squeemu:

Comment to this post with an idea for a Top Five list (for example, Five Cars With Which Jeremy Clarkson Has Had Torrid Love Affairs, or Five Times Nida Saved the World and Nobody Noticed, or Five Cases Watson Decided, On Balance, Not To Publish). Then, in a separate post in reply to your comment, I will compile the requested list, according to me. Multiple requests are welcomed.

I've concluded that I don't love Torchwood. I enjoy watching it, but I don't love it, and if it didn't get another series I wouldn't shed a tear. Alas.
rionaleonhart: final fantasy x-2: the sun is rising, yuna looks to the future. (so confused right now (art by zarla))
Apparently, BBC America have been stripping a lot of things out of their airings of Life on Mars to make room for adverts. I mention this just so any Americans who may be watching it will know. From what I've heard it seems that Gene's characterisation suffers a lot, which makes me sad.

(It seems that the episodes aren't so cut down on BBC America On Demand, though.)

I'm afraid that [livejournal.com profile] gayjunglefever just might have succeeded in her evil plot to get me addicted to Life on Mars. Oh dear.

I feel that perhaps I may have been focusing too much on Sam/Gene and, you know, Sam being freakishly adorable in my episode-by-episode posts, and not on the actual stories and the time-travel-or-not-time-travel? thing, which was actually the first aspect of it that I fell in love with. I love it when Sam comes across people or places who were significant in his past, or will be significant in his future. I love it when he hears voices, or when 1973 seems to reflect something that may or may not be happening parallel to it in 2006, or when he realises that something in the past affects the future and maybe - maybe - he can stop it. I love it when he's frustrated and upset and tries to bring something of his home into where he is now. The cases and policing (and Sam/Gene) are all very fun, but the time-travel/insanity aspect is a stroke of absolute genius and makes it so much better than it would be otherwise.

Another thing that I really like is the humour in serious situations, or the humour just before a completely unexpected tragic twist that changes the tone utterly. I'm just very impressed by the ability of the show to completely turn around and startle the watcher, or to change its mood in a second. There were similar moments in Doctor Who, but I think that those in Life on Mars actually have more of an impact. That twist near the end of Episode Four? I never saw it coming, and it brought me straight down from utter gleeful elation to sudden shock.

Why, yes, I am posting this in the slightly desperate hope that other people will be intrigued and watch it.

(Did I mention that Gene is hot? He's got a sort of stealthy hotness that you never see coming until suddenly you're an absolute raving Gene fangirl and can't for the life of you work out why you're finding him attractive.)